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Photos: Look back at the main slate films from the 2014 New York Film Festival

Monday, July 27, 2015
  • Romantic sentiment runs high but aristocratic decorum holds sway in "Beloved Sisters."
  • In "Birdman," one-time action hero Riggan Thomson is staging his own adaptation of Raymond Carver's What We Talk About When We Talk About Love.
  • Olivier Assayas will return to NYFF with "Clouds of Sils Maria," starring Juliette Binoche as an actress preparing for a new role and Kristen Stewart as her assistant.
  • "Eden" is based on the experiences of Hansen-Love's brother (and co-writer) Sven, who was one of the pioneering DJs of the French rave scene in the early 1990s.
  • In "Foxcatcher," billionaire John E. du Pont and brothers/championship wrestlers Dave and Mark Schultz create a national wrestling team on his family's property in Pennsylvania.
  • "Gone Girl" is a great work of popular art by one of our best filmmakers.
  • The 43rd feature by Jean-Luc Godard, "Goodbye to Language" alights on doubt and despair with the greatest freedom and joy.
  • The Safdie Brothers' "Heaven Knows What" follows two heroin-addicted young lovers as they struggle to live and find their next fix.
  • "Hill of Freedom," is a series of disordered scenes based on the letters, echoing the cultural dislocation felt by Mori as he tries to make himself understood in halting English.
  • Pedro Costa with "Horse Money," a moving look at the life of Cape Verdean Ventura.
  • Paul Thomas Anderson's new movie, "Inherent Vice," is a cinematic time machine, placing the viewer deep within the world of the paranoid, hazy L.A. dope culture of the early '70s.
  • Lisandro Alonso's latest film, "Jauja," starring Viggo Mortensen as an Argentinian officer in the 1870s searching for his missing daughter, will have its U.S. debut.
  • In Eugene Green's new film, "La Sapienza," a married couple who are unhappy in an all-too-familiar way: they have retreated into silence and away from intimacy.
  • "Life of Riley," is the story of three couples in the English countryside who learn that their close mutual friend is terminally ill.
  • Perry's "Listen Up Philip" stars Jason Schwartzman as an insufferable young literary star taken under the wing of an older literary lion played by Jonathan Pryce.
  • David Cronenberg takes Bruce Wagner's script - a pitch-black Hollywood satire - chills it down, and gives it a near-tragic spin in "Maps to the Stars."
  • "Misunderstood" centers on a pre-teen who is all but ignored by her self-absorbed superstar parents in 1980s Rome.
  • Mike Leigh's "Mr. Turner" is certainly a portrait of a great artist and his time, but it is also a film about the human problem of... others.
  • Abel Ferrara, with his biographical film "Pasolini," starring Willem Dafoe as the controversial filmmaker/poet/novelist.
  • Running counter to the current strain of wan, mechanical biopics, Bertrand Bonello's "Saint Laurent" toys deliriously with the genre's rules and limitations.
  • Mathieu Amalric's "The Blue Room" will have its North American premeire. Based on Georges Simenon's novel, the story is about a love triangle coming to a dangerous conclusion.
  • "The Princess of France" is the most ambitious film yet from one of world cinema's brightest young talents, a cumulatively thrilling experience.
  • "The Wonders" conjures a richly concrete world that is nonetheless subject to the magical thinking of adolescence.
  • Abderrahmane Sissako's new film, "Timbuktu," looks at the terror and humiliation of occupation with an uncommonly serene eye.
  • Moverman's "Time Out of Mind" features Richard Gere as a man who finds himself out on the streets.
  • Jean-Pierre & Luc Dardenne with "Two Days, One Night," starring Marion Cotillard as a woman desperately trying to save her job.
  • "Two Shots Fired" is a wry, moving, consistently surprising film about the irrationality of emotions and how they govern our actions at each stage of our lives.
  • A jazz drummer at a prestigious New York music academy and a teacher whose method of terrorizing his students is beyond questionable, even when it gets results in "Whiplash."
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Romantic sentiment runs high but aristocratic decorum holds sway in "Beloved Sisters."
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