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Photos: Look back at the main slate films from the 2014 New York Film Festival

Monday, July 27, 2015
Romantic sentiment runs high but aristocratic decorum holds sway in "Beloved Sisters."
In "Birdman," one-time action hero Riggan Thomson is staging his own adaptation of Raymond Carver's What We Talk About When We Talk About Love.
Olivier Assayas will return to NYFF with "Clouds of Sils Maria," starring Juliette Binoche as an actress preparing for a new role and Kristen Stewart as her assistant.
"Eden" is based on the experiences of Hansen-Love's brother (and co-writer) Sven, who was one of the pioneering DJs of the French rave scene in the early 1990s.
In "Foxcatcher," billionaire John E. du Pont and brothers/championship wrestlers Dave and Mark Schultz create a national wrestling team on his family's property in Pennsylvania.
"Gone Girl" is a great work of popular art by one of our best filmmakers.
The 43rd feature by Jean-Luc Godard, "Goodbye to Language" alights on doubt and despair with the greatest freedom and joy.
The Safdie Brothers' "Heaven Knows What" follows two heroin-addicted young lovers as they struggle to live and find their next fix.
"Hill of Freedom," is a series of disordered scenes based on the letters, echoing the cultural dislocation felt by Mori as he tries to make himself understood in halting English.
Pedro Costa with "Horse Money," a moving look at the life of Cape Verdean Ventura.
Paul Thomas Anderson's new movie, "Inherent Vice," is a cinematic time machine, placing the viewer deep within the world of the paranoid, hazy L.A. dope culture of the early '70s.
Lisandro Alonso's latest film, "Jauja," starring Viggo Mortensen as an Argentinian officer in the 1870s searching for his missing daughter, will have its U.S. debut.
In Eugene Green's new film, "La Sapienza," a married couple who are unhappy in an all-too-familiar way: they have retreated into silence and away from intimacy.
"Life of Riley," is the story of three couples in the English countryside who learn that their close mutual friend is terminally ill.
Perry's "Listen Up Philip" stars Jason Schwartzman as an insufferable young literary star taken under the wing of an older literary lion played by Jonathan Pryce.
David Cronenberg takes Bruce Wagner's script - a pitch-black Hollywood satire - chills it down, and gives it a near-tragic spin in "Maps to the Stars."
"Misunderstood" centers on a pre-teen who is all but ignored by her self-absorbed superstar parents in 1980s Rome.
Mike Leigh's "Mr. Turner" is certainly a portrait of a great artist and his time, but it is also a film about the human problem of... others.
Abel Ferrara, with his biographical film "Pasolini," starring Willem Dafoe as the controversial filmmaker/poet/novelist.
Running counter to the current strain of wan, mechanical biopics, Bertrand Bonello's "Saint Laurent" toys deliriously with the genre's rules and limitations.
Mathieu Amalric's "The Blue Room" will have its North American premeire. Based on Georges Simenon's novel, the story is about a love triangle coming to a dangerous conclusion.
"The Princess of France" is the most ambitious film yet from one of world cinema's brightest young talents, a cumulatively thrilling experience.
"The Wonders" conjures a richly concrete world that is nonetheless subject to the magical thinking of adolescence.
Abderrahmane Sissako's new film, "Timbuktu," looks at the terror and humiliation of occupation with an uncommonly serene eye.
Moverman's "Time Out of Mind" features Richard Gere as a man who finds himself out on the streets.
Jean-Pierre & Luc Dardenne with "Two Days, One Night," starring Marion Cotillard as a woman desperately trying to save her job.
"Two Shots Fired" is a wry, moving, consistently surprising film about the irrationality of emotions and how they govern our actions at each stage of our lives.
A jazz drummer at a prestigious New York music academy and a teacher whose method of terrorizing his students is beyond questionable, even when it gets results in "Whiplash."
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Romantic sentiment runs high but aristocratic decorum holds sway in "Beloved Sisters."
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